OIL MEDIUMS

Designed for artists seeking texture and impasto effects, this 200ml jar of Liquin Oleopasto Medium by Winsor & Newton is a versatile and high-quality medium for oil painting. Its thick consistency allows for bold brushwork and three-dimensional effects, while also accelerating drying time for quicker layering and efficient workflow. Achieve rich, textured masterpieces with this reliable medium.

Cobra Quick Drying Medium is a colourless medium that can be mixed with Cobra oil paint to reduce the drying time of the paint. It also increases the flow and transparency and makes the paint fatter. This quick drying medium is based on vegetable oils, synthetic resins and a siccative.

Shortens the drying time.

Increases the gloss and transparency of the paint.

Makes the paint fatter, just like Cobra Painting Medium.

Can be thinned with water.

Makes the brush stroke run slightly.

Increases the durability of the paint film.

Yellows slightly.

This premium linseed oil offers artists a high-quality medium for oil painting. With its cold-pressed formulation, it enhances paint flow, improves drying time, and adds a subtle sheen to artwork, ensuring professional results in a convenient 75ml size.

Improves Flow

Reduces Consistency

Increases Gloss

Increases Transparency

Ideal for grinding pigments

This thinner has been specially developed to maintain the oily feel ; keeps Artisan colour open longer than water. Although water is suitable as a diluent for the colour, its speedy evaporation can make the colour thicken upon the palette much quicker than conventional oil colour would when used with turpentine. As Artisan thinner does not form an emulsion with the colour, there is less colour change than there would be with water.

Low odour.

Can be cleaned up with water.

Can be combined with Artisan oils to prepare mediums.

This is a prepared medium that thins the colour consistency, improves flow and wetting, slows drying, increases the durability of the film and is resistant to yellowing. Artists' Painting Medium is well suited for 'oiling out'.

Winsor & Newton Artisan Impasto Medium is a specialized medium for artists working with water mixable oils. It is designed to enhance the texture and body of the paint, allowing artists to create thick and impasto effects.

This medium increases the viscosity and imparts a buttery consistency to the paint, enabling artists to build up layers, create textured brushstrokes, and add three-dimensional elements to their artwork. Winsor & Newton Artisan Impasto Medium is easy to use, dries to a durable and flexible finish, and maintains the water-mixable properties of the paints. It is an excellent choice for artists looking to explore the expressive possibilities of impasto techniques in their water mixable oil paintings.

This 75ml bottle of high-grade linseed stand oil provides artists with a reliable medium for oil painting. Its superior quality enhances drying time, promotes optimal flow, and imparts a durable and glossy finish to artworks, delivering professional results.

Improves flow of oil colours.

Excellent for masking mediums and glazing.

Smoothes brush strokes.

Slows drying and gives a tough elastic, pale film.

Slows drying rate while increasing durability of the film. Gives smooth enamel effect finish with no brush marks. Ideal for glazing and fine detail if mixed with solvent.

This is a fast drying medium that improves the flow and speeds the drying of Artisan oil colours, smoothes brushwork and increases gloss and transparency. It is excellent for glazing and producing fine detail and is resistant to yellowing.

This is a very popular medium as it speeds the drying of oil colour by about 50%, allowing further layers to be applied more quickly. The formulation has been improved and this has helped to wet the colour better. It thins the colour and increases gloss and transparency. When painting in layers it can substitute linseed oil and be combined with water and/ or thinner to maintain 'fat over lean.

Fine Grain Marble Dust is a UK-made, high-purity calcium carbonate (100 mesh) ideal for adding body and texture to your artwork. Mix it with cold wax to build impasto marks, blend into gesso or PVA for a grittier painting surface, or apply it to paper with gelatine, gesso or PVA to create a beautifully “toothy” ground for pastels. Chemically inert and non-hazardous, it has been used for centuries in traditional gesso and other painting preparations.

This is a watermixable oil colour medium which allows classical oil colours to become water mixable. There is no need for turpentine or turpentine substitute if you add to it to oil colours. Thanks to a special combination of special emulsifiers with a polyester, the character of the oil colours is retained. Water can be used as a thinner. The medium allows for easy handling and easy cleaning of all work tools after painting with water. No need to use a special brush cleaner.

Reduces the consistency of oil colour and slows down drying time. In its raw state, it gives colour a high gloss. Diluted 50/50 with Turpentine or Low Odour Thinners, it creates an excellent medium for most types of painting.